top of page

Of Mermaids and Monsters: Transgender history and the boundaries of the human in eighteenth-and-early-nineteenth-century Britain

  • Jan 29
  • 1 min read

Updated: Feb 5

Abstract


The figure of the monster has long been used by trans and intersex scholars, artists and activists to articulate their sense of being in a world dominated by binary, cisgender norms. Yet what does it mean to embrace ‘the monstrous’ and how might that embrace inform the construction of transgender history? This article examines the specificities of ‘the monstrous’ in eighteenth- and nineteenth-century Britain and empire by focusing on two figures at the boundary of the human: ‘the mermaid’ and ‘the hermaphrodite’. In doing so, it asks what the histories of these two marginal figures might tell us about the construction of ‘the human’ and argues that an alignment with the monster might enable trans historians to ally themselves with a vision of the future that goes beyond anthropocentrism.


Ethics disclaimer (from our comrades at TransReads):


We are faced with the common ethical question about hurting the sales of trans authors. However, the largest ever study on piracy actually found that the piracy of copyrighted books, music, video games, and movies has no effect on sales. In the case of video games, piracy actually helped sales. As far back as 2002, we can see piracy boosting sales of media. The Trans Guy Archive strongly encourages you to purchase the books that you enjoy here or find other ways to support the author.


Academic authors rarely – if ever – see income from sales of their books, articles, or chapters. Most want to remove the paywalls withholding their content. The Trans Guy Archive is open to collaborating with authors, publishers, and journals on making this a possibility through our website.

Comments


bottom of page